Welcome to Culture|Futures

We are engaging the cultural sector in creating an ecological age.

Culture|Futures is an expanding spiral of engagement of cultural actors around the world who are moved to engage their work and creativity to sustain human and all life.

We do this through:

  • our communication platform, allowing cultural actors to connect and share knowledge globally
  • our conferences, workshops and event templates, fostering inspiration and sharing of best practices across disciplines and cultures
  • our network of key cultural institutions/organizations around the world committed to innovating their own daily practice
  • our Culture|Futures Clubs creating networks for creative professionals and students in cities around the world
  • linking the cultural component with some of the world’s cutting-edge urban sustainable demo-programs

Vision

The cultural transition between now and the dawning of the Ecological Age in 2050 will require fundamental changes in people’s mindset and behaviour linked with political, business, and technological developments

The Culture|Futures 2014 is:

  • Over 1000 institutions around the world working with culture have agreed to change their future daily practices to become sustainable by achieving economic benefits, optimizing resources in cultural production, exploring new creative content inspired by rethinking nature/ecology and by building new mindset in communities and city/region by communication with audiences.
  • At least 100+ major popular cultural institutions around the world achieves results to be recognized as ‘eco-leader ambassadors’

The Culture|Futures 2020 vision is:

  • Cultural actors around the world have through their daily practices accelerated global mindset and behavior changes for an ecological age.
  • There will be a supportive public and cultural environment for reduced CO2 emissions, reduced ecological footprints, and an increased human development index as per global targets for 2020.
 

The Culture|Futures 2050 vision is:

  • Cultural resilience in support of a reduced carbon footprint, a balanced ecological footprint, and global human development index improvement as per global 2050 targets.
  • The Ecological Age, where human beings live in a way which sustains human and all life, is a reality

Global Protectors for Culture|Futures

Dr Rajendra Pachauri, Chairman of the UN Intergovernmental Panel on Climate Change (IPCC) and Director-General of The Energy and Resources Institute (TERI).

 

Jan Gehl, Architect, MAA & FRIBA, Professor Emeritus, Founding Partner at Gehl Architects – an urban research and design consultancy based in Denmark. Jan Gehl is global champion of people-focused urban planning.



Culture|Futures Clubs was awarded the Council of Europe Cultural Event Label 2012


Posted in Culture|Futures activities

Cultura21: How can culture lead transformations?

In the coming year, Cultura21 Nordic will be working with partners to bring pioneering agents from the Baltic Sea Region together and create a ‘flagship project’ on the issue of culture and sustainability: ‘Baltic Sea Region cooperation with a focus on culture as a part of sustainable development’.

culture21_collage_june2013

In April 2013, Cultura 21 Nordic and Innogate launched a 16-page report titled ‘Culture and Sustainable Development in the Baltic Sea Region – 8 findings, a number of opportunities and a way forward…’.

The Baltic Sea Region is very rich in networks and cooperation efforts – many of which build on and impact on culture and sustainable development. The mapping and findings reported aim to identify current actors, networks and existing relevant cooperation activities that address specific areas related to culture and sustainability in the Baltic Sea Region.

Commissioned by the Nordic Council of Ministers and based on research interviews with, among many others, cultural institutions such as the Danish Cultural Institute, the Swedish Institute, Intercult, and Heinrich Böll Stiftung, the report is meant to serve as as a point of departure for discussions which, when duly digested, will lead to concrete and feasible activities designed to enable culture to impact more strongly on sustainable development in the Baltic Sea Region.

The report also points at key areas of interest for further cooperation.

Perhaps not surprisingly the first finding in the year-long process was that the sphere of cultural collaboration and sustainability is complex, or rather: that there are a number of spheres. Thus the overview presented in the report, according to the authors, is “more of a snapshot than a full picture.”


Lack of knowledge
Summing up, and looking through their findings, the authors conclude it is apparent that the largest obstacle for enabling culture to impact on sustainable development in the Baltic Sea Region seems to be a lack of knowledge about culture-driven practises, tools and cooperation approaches for sustainable development:

“There are many actors that in different ways make an effort to impact on sustainable development through culture(s). However, their efforts remain fragmented – and knowledge of good (and bad) practices are not effectively collected and communicated. There is a need to link efforts more effectively through dialogue and cooperation, to facilitate exchanges of experience and mutual learning. There is also a need to assess current efforts if the key drivers for enabling culture to impact on sustainable development are to be better understood.”

Therefore the report suggests to investigate if one of the existing institutions in the Baltic Sea Region could/should host a knowledge hub on culture and sustainability – a hub that would provide access to practices, tools and networks within the Baltic Sea Region on culture and sustainability.

And if so, the authors ask, should such a hub have one location or rather be made up of a number of competence nodes – say “Culture and Sustainability Smart Labs” at different locations around the Baltic Sea – linked through the main hub?

“The advantage of multiple decentralised competence nodes/labs could be that it would allow local actors to tap more easily into the knowledge resources available in their region and, and through the link to the main hub across the Baltic Sea Region. Both the main competence hub and decentralised labs/nodes could be hosted by existing organisations.”


Slide presentation
In his presentation at the conference ‘Culture and Collaboration in the South East Baltic Region’ in Kaliningrad in June 2013, director Oleg Kofoed started out with asking the basic question: “How can culture lead transformations?”
Oleg Kofoed’s 15-slide presentation can been seen on slideshare.net




Culture provides a framework
The report suggests an answer this question — how culture can lead transformations. For instance, it states that:
“Culture is of great importance to economically, socially and environmentally sustainable development. Culture is important not least because culture is a bond that brings people of a community (town, city, country or region) together and because it provides a framework that shapes people’s standards and behaviour. In so doing, culture impacts in multiple ways on development in most areas of society. For example culture impacts significantly on business opportunities, job creation, integration, health, education, technologies, and creativity – and in so doing culture impacts on sustainable development. This overall role of culture seems to be generally accepted, in particular – and not surprisingly – among stakeholders in the cultural sector/sphere but also increasingly so also across sectors/spheres.”

The report mentions that at recent COP meetings, cultural aspects of sustainability have grown in importance:

“In 2010 the UNESCO partner United Cities and Local Governments declared culture “The Fourth Pillar of Sustainability”. This was followed in 2012 by the Rio+20 UN conference, which declared: “We acknowledge the diversity of the world and recognize that all cultures and civilisations contribute to the enrichment of humankind and the protection of the Earth’s life support system. We emphasize the importance of culture for sustainable development. We call for a holistic approach to sustainable development which will guide humanity to live in harmony with nature.”

The logic is that by including culture in sustainability one achieves a more complete development model which – it is argued – better embraces the complexity of societies and highlights the importance of culture as a driver of societal change and development.” (…)

“The recently updated Action Plan for the EU Strategy for the Baltic Sea Region does emphasise the importance of culture to sustainable development, as part of a dedicated Priority Area for Culture and associated cooperation activities. The Nordic Council of Ministers is committed to taking responsibility for advancing regional cooperation under the Priority Area for Culture – including by leading the Flagship Project ‘Baltic Sea Region cooperation with a focus on culture as a part of sustainable development’.

This paper is a first effort under this flagship project. It is an attempt to map stakeholders and activities in the field of culture and sustainability. It is also a first effort to engage stakeholders in a new region-wide dialogue aiming at identifying opportunities for synergies in current efforts, and to propose practical steps for further cooperation in the field of culture and sustainability. The longer-term objective of the Nordic Council of Ministers is to take the first steps – along with partners from around the Baltic Sea – towards systematically developing knowledge and capacities in the Baltic Sea Region on ways in which culture contributes, and can contribute more, to sustainable development – whether be it economically, socially and/or environmentally sustainable development.”


Cultura21 Nordic is a Culture|Futures partner. The organisation, run by action-philosophers Oleg Koefoed and Kajsa Paludan and based in Copenhagen, Denmark, works for cultures of sustainability in the Nordic countries and around.

cultura21.dk

Download the report (PDF)

Posted in News and events | Tagged , ,

Photo exhibitions on climate change

A photo exhibition described as “an eye-opener for Southeast Asia’s vulnerability to climate change” has been presented in Jakarta, Bangkok and Chiang Mai. On 3 June 2013, it opened in the capital of the Philippines, Manila.

Greenpeace photo exhibition on climate change

‘Climate Change: Challenges and Solutions in Southeast Asia’ showcases 40 photos from the three photographers Kemal Jufri from Indonesia, Athit Perawongmetha from Thailand, and Vicente Jaime “Veejay” Villafranca from the Philippines. They were commissioned in 2012 by Greenpeace to document the causes, impacts and solutions of climate change.

Kemal Jufri chose to focus on the impact of excessive coal mining in Indonesia. Veejay Villafranca’s series entitled ‘Displaced Earth’ highlights the extreme weather phenomena in the past few years in the Philippines, while Thai photographer Athit Perawongmetha took on a positive note and showcased Thailand as a frontrunner among Asian countries in the renewable energy sector.

The photo exhibition will run until 12 June 2013 at the Eastwood Mall Atrium in Quezon City, Manila. Alexandra Leal from Rappler wrote a detailed article about the opening in Manila. Read the full article here:


Rappler – 9 June 2013:
Photo exhibit raises awareness of climate change impact
Greenpeace Philippines kickstarted the World Environment Week with the launch of a 10-day photo exhibit that featured the impact of climate change in the Southeast Asia region on Monday, June 3, 2013. By Alexandra Leal



tibet-photo-exhib

Photo exhibition in China about climate change on the Tibetan plateau

Sean Gallagher is a British photojournalist based in China who traveled to the region of Tibet to examine the environmental shifts that influence the entire Asian continent. His photo exhibition ‘Meltdown’ opened in Beijing on 20 April 2013.

In an audio slideshow presented on The Guardian’s website, photojournalist Sean Gallagher talks about his latest photo project, ‘Meltdown’, about climate change and environmental degradation on the Tibetan plateau. The series of photographs that capture melting glaciers, grassland degradation and the loss of Tibetan culture.

Continue reading here:

The Guardian – 10 June 2013:
Climate change on the Tibetan plateau – audio slideshow
Photojournalist Sean Gallagher talks about his latest project, Meltdown: climate change and environmental degradation on the Tibetan plateau, a series of photographs that capture melting glaciers, grassland degradation and the loss of Tibetan culture. Interview and editing by Eric Hilaire

Pulitzer Center – 12 April 2013:
Sean Gallagher Photos Shown at Reception in Beijing
Photographs from Sean Gallagher’s Pulitzer Center-supported project, “Meltdown,” exhibited in Beijing on Saturday, April 20.

Pulitzer Center – 1 February 2013:
Photographing Climate Change on the Tibetan Plateau
Sean Gallagher discusses his approach to photographing issues related to climate change on the Tibetan Plateau.

Pulitzer Center – 1 August 2012:
Meltdown: Climate Change and Environmental Degradation on the Tibetan Plateau
Rising temperatures on the Tibetan Plateau in western China are causing melting glaciers and environmental degradation, threatening the vulnerable communities that inhabit the roof of the world.


Posted in News and events | Tagged , , ,

Public art with a message about energy saving and renewables

In Newton Abbot in United Kingdom, five tall ‘Energy sculptures’ have been up for six months now, with a sixth on its way, to highlight a debate about energy and how it is at the heart of the economic and environmental challenges facing humanity today.

Transition sculptures

A group of volunteers in a Transition Town group in Newton Abbot wanted to create something tangible and visible around the ideas of energy saving and renewable energy that would spark a discussion in their town.

Not always smooth but in the end successful, their journey to raise five three-meter tall sculptures in a number of settings in and around the town started in 2009 and turned out to be “long and interesting”, as it is described in this blog-post on the home page of the Transition Network.

The sculptures use wood from a 150 year old cedar tree that needed to come down in the district. They are adorned with symbols representing five sources of renewable energy, which are based on 35,000 year old cave paintings.

This summer, the artists plan to organise a sculpture guided walk “to show-case the town and the use of energy past and present and give food for thought.”


Press about the sculptures:

9 November 2012:
Sculptures are fanning out around town

7 November 2012:
Energy Sculptures to expand the mind!
E=X=P=A=N=D YOUR MIND on ENERGY. Strange but beautiful structures have appeared this week in and around our town. Where are they from? What do they mean?

5 November 2012:
New transition sculptures have landed in Newton Abbot
Public art in Newton Abbot highlights our relationship with energy


Source: transitionnetwork.org

Posted in News and events | Tagged , ,

Canada: Artist publishes book about ‘dirty oil and government censorship’

The ‘troublesome’ Canadian artist Franke James says that Canada’s Conservative government targeted, monitored and blacklisted her climate change artwork because it criticises the oil and gas industry’s environmental performance and clashes with the Canadian government’s push to develop Alberta’s tar sands.

Franke James

In 2011, the Canadian artist Franke James was supposed to have her work exhibited in 20 European cities. But the local NGO that was sponsoring her was allegedly bullied and intimidated so badly by Canadian officials that it pulled out and the entire show was canceled. A spokesperson for the government had explained that Ms. James’ show was about climate change and her opinions were contrary to those of the government.

Franke James advertisementHowever, Franke James does not intend to keep quiet about what she experienced — now she is publishing a graphic 368-page book, ‘Banned on the Hill: A True Story about Dirty Oil and Government Censorship’, about the ordeal which features passages from more than 2,100 pages of official memos, internal federal emails, and other records.

125 funders supported her crowdfunding-initiative on Indiegogo.com to advertise her cause in the Hill Times, an Ottawa political weekly, and to launch an outdoor campaign Monday in the capital. She managed to raise over 5,000 US dollars already a month before the fundraising deadline, and her ad began appearing in the Hill Times on 20 May 2013 with the headline: “Do not talk about climate change. It is against government policy.”

American climate activist and founder of the organisation 350.org, Bill McKibben, was quoted as saying: “The Canadian government has clamped down on scientists who tell the truth about the tarsands, and it’s tried to shut up artists too. Happily, Franke James is indefatigable.”

Franke James hopes her book will be a how-to guide for other activists.



Read more and see Franke James’ artwork:

The Guardian – 17 May 2013:
Artist finds inspiration in Canadian government’s attempt to silence her
Visual essays by Franke James reveal how the ‘troublesome artist’ was targeted because her views on climate change clashed with the push to develop Alberta’s tar sands. By Suzanne Goldenberg, US environment correspondent


The Toronto Star – 26 May 2013:
Climate activist’s book claims Conservatives tried to silence her
A new book by Toronto artist Franke James says her frequent criticism of Conservative climate change policy cost her federal funding for a European tour. By Raveena Aulakh


Franke James

This piece was originally published by artsfreedom.org and has been republished with permission.



Posted in News and events | Tagged , | 1 Comment